Spiritually human, Jawhar unveils his new album Khyoot tomorrow. A review of an opus woven with threads of gold, invisibility, and tenderness.
KHYOOT – JAWHAR
Together, Jawhar and Aza sing of adolescent lightness (Asfour), pain and anguish (Chochreet), self-image (Howwa), and our purpose in life (Dhwe Dhwet). They also delve into the image of others, especially perceptions of “the Arab” (Leghreed), addressing the political battle for universal acceptance free from prejudice. Yet the battle is arduous (Sayyed Errouh), leading to wandering, artistic or otherwise, and exhaustion, which can sometimes be beneficial (Msefer), culminating in reconciliation and safety (Habbeet, Keysefer Fina). This is an experience to be savoured alone, or alone together (Wejjebni).
Of course, it’s all deeply personal, and with good reason. But this opus, sung entirely in Arabic, is also crafted for the deeply personal experiences, however different, of each listener. Because Jawhar’s threads are intertwined with ours. From the very first track, Khyoot, to the closing Malyoon Mhabes, connecting to this work feels effortless. Following the thread of the story, the logic, and nature becomes utterly natural. The tender folk atmospheres flow seamlessly from luminous to sombre, dreamlike to introspective, gentle to anxious. It transports me, and it’s no surprise that Khyoot by Jawhar is now a personal favourite of mine.
Now Playing: Asfour

