A second sophisticated, intimate and sincere album is what Karin Ann reveals with through the telescope. Review of a record amongst the stars.
THROUGH THE TELESCOPE – KARIN ANN
The celestial body is showing itself a lot more on other tracks, like the band keeps playing, and later on neverland. Often, Karin Ann gets the refined orchestra and solid, dry, almost lo-fi instruments to join. A blend that highlights the young artist’s poetic lyrics. More folk at the start of last few minutes, she keeps that subtle association on. Nothing is invasive, everything is intoxicating. On for you, the artist continues to give more of herself. Intimate and tender in her lines, the song changes from a classic folk sound to an upbeat pop-rock. And then, how not to fall for a song for the moon and memories of you, full of charm and where the melancholic atmosphere grows chord after chord? We live her love stories with her, or rather we live ours like she does: fully, with soul and body.
With she, Karin Ann shifts the general vibe with some heavier riffs. ‘Dance with me’, she sings, and once again it’s impossible to resist her demands. The Sun shines bright again here, and it does again on olivia. Another gem is the memorable i don’t believe in God which raises many questions about religion and identity. It might be the strongest track on the album. Next to it is beautiful life, a lot darker. But finishing without a positive note is out of the question. That’s how we get my best work of art. And indeed, through the telescope is probably one of the most beautiful pieces by Karin Ann so far. It will be played everywhere and, hopefully, for a long time!
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