Thirty years after their split, The Getting Pretty are back with a new album, Fainted. Here’s my review of this musical journey.
FAINTED – THE GETTING PRETTY
It has been thirty years this year since the German band broke up. With their new album, Fainted, The Getting Pretty marks a gentle reunion, offering nostalgic melodies but with a more modern core than I expected. This becomes apparent right from the opening track, Life Control, where everything is clear and perfectly balanced. The interplay of textures evokes nostalgia through sharp, distinctly 90s-inspired riffs, while the vocals explore spatial dynamics. It’s hypnotic and leaves me intrigued. By subtly connecting each track—whether through sound or a slight tonal shift—The Getting Pretty aims to create an immersive narrative. And it works.
Upn Down naturally follows before giving way to the brilliant and highly addictive 4 Sale. For me, it’s undoubtedly the jewel of the album. Next comes Hatmaker, bringing an energy that feels both powerful and mysterious, like the beginning of a thriller. By this point, I can already sense the logical evolution of the narrative. The thread is easy to follow, and the scenery changes faster than expected. The tempo slows further, and the atmosphere grows decidedly chilling. Almost as if to underline this shift, The Girl arrives with a brighter, folk-inspired tone. Contrast and storytelling—this album keeps moving forward.
Already packed with emotion, the album delves even deeper into personal themes with Low. Balancing introspection and epic moments, this track also stirs notes of hope that fit seamlessly into the overall composition. Finally, The Getting Pretty concludes their latest album, Fainted, with When The World Stood Still. To me, it’s the logical conclusion, bringing elements of every track we’ve heard so far. But it also offers something more: a radiant resonance at its core that truly strikes a chord. The journey is as beautiful as the destination. The Getting Pretty made the right decision to return and share this with us.
